Robert Pattinson and David Cronenberg Interview with The Columbus Dispatch

Robert Pattinson and David Cronenberg interview with The Columbus Dispatch. Part of it was posted here.

“I was honest with David and said that I loved his script, but I didn’t fully understand it,” Pattinson says. “I knew, if I tried to have a BS conversation about it, that David would call me out.”Cronenberg, too, had some reservations — about Pattinson.“Could this British guy do a New York accent where it’s not agonizing?” the filmmaker recalls wondering. “Could he play that age? Does he have the charisma to hold the audience for the whole movie, because he’s literally in every scene?

“I did my homework and watched Little Ashes (2008) and Remember Me (2010),” Cronenberg says. “I even watched interviews that Robert did. I wanted to know what this guy was like when he was just being himself. I wanted to get a feel of what he was like as a person. I wanted to know that he had a sense of humor, and he does.

“I finally said, ‘OK, this is the right guy.’??”

Most of Pattinson’s films have required him to forgo his natural British accent, so he had no problem finding Eric’s New York speech patterns.

“I don’t even know what accent I was doing half of the time,” he admits. “I always found that the dialect was written in the lines. The voice was also part of the preparation. I wasn’t even trying to get a New York accent.”

His next film is, of course, the series-ending Twilight Saga: Breaking Dawn — Part?2, due in November. Cosmopolis is nothing like that, which is by design.

“I try to do something different from vampire Edward Cullen each time I’m not doing a Twilight film,” Pattinson says. “I even try to make him different each time I do Twilight.”

As a child growing up in London, Pattinson had dreams of stardom, but they involved music.

That he ended up as an actor still bemuses him.

“When I’m asked to write down my occupation, it’s still hard for me to write actor.”

After auditioning for Troy (2004) but not getting the part, Pattinson was cast in Harry Potter and the Goblet of Fire (2005) as the handsome, charming and doomed Cedric Diggory. Three years later, he began his turn as soulful vampire Edward Cullen.

For “Twi-hards” dreading the end of the film franchise, Pattinson offers some words of hope.

“I’m sure they’ll have a Twilight TV-series spinoff soon,” he says. “They’ll do it again.”

That presumably wouldn’t involve Pattinson. There is talk of a film prequel, however. Would he be willing to play Edward again?

“Who knows?” says Pattinson, laughing. “The only thing that creates a little bit of a problem is that I’m supposed to be 17 forever.”

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New Robert Pattinson Interview with The Chicago Suntimes

Here’s a Robert Pattinson interview with The Chicago Suntimes – talks about Twilight, Cosmopolis.

Last week he fended off countless questions about the scandal while making the media rounds to promote “Cosmopolis,” his new film with director David Cronenberg (“A History of Violence,” “Eastern Promises”).

Through it all, he felt the love of his fans. The Twi-hards definitely have been Team Robert.

“I don’t credit that to myself,” Pattinson says. “It’s just that there is something elemental about the ‘Twilight’ books and the movies. The core story has connected to people.

“The fan love from that is kind of amazing. I guess it’s so much better than everyone hating you.”

By now he should have developed an attitude — if only he knew how.

“I want to change. I can’t make myself change. I can’t develop an attitude,” Pattinson says with a goofy giggle that is his trademark.

Adds Cronenberg, “I’ve seen him even try to change and it’s pathetic.”

In “Cosmopolis,” based on the novel by Don DeLillo, Pattinson plays a 28-year-old financial whiz kid and billionaire asset manager whose world is exploding. He gets into his stretch limo to get a haircut from his father’s old barber while wagering his company’s massive fortune on a bet against the Chinese Yuan. His trip across the city becomes a journey as he runs into city riots, various visitors and intimate encounters.

Filming in a limo for so long wasn’t claustrophobic.

“I actually kind of enjoyed it,” he says. “In the beginning, I wanted to stay in the car for the entire day. But it was so unbearably hot. I couldn’t really do this method.

“The car made me really concentrate.”

The London-born actor does an American accent in the movie. “I don’t even know what accent I was doing half of the time,” he admits. “I always found that the dialect was written in the lines.”

This fall, he plays vampire Edward Cullen in “Breaking Dawn — Part 2,” meant to be the final installment of the “Twilight” franchise.

Fans of the series are about to enter the depression zone, and Pattinson offers some words of hope.

“I’m sure they’ll have a ‘Twilight’ TV series spinoff soon. They’ll do it again,” Pattinson says.

Would he ever play Edward Cullen again?

“Who knows?” he says. “The only thing that creates a little bit of a problem is that I’m supposed to be 17 forever.

“I’m not sure I can be 17 forever,” he says with another giggle.

He is excited to see what the future holds for him in Hollywood and elsewhere.

“Life is all about luck,” he says. “Getting to this point was lucky. I just hope that my luck holds out.”

Ask him what he knows about life at this point that he didn’t know when he was younger, and he giggles again.

“I basically have learned that I know absolutely nothing,” he says. “I thought I knew it all. Again, I knew absolutely nothing.”

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VIDEO: Robert Pattinson on Jimmy Kimmel Live!

Here’s the video of Jimmy Kimmel’s interview with Robert Pattinson.

Full Interview

Rob walking to the stage

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HQ pictures of Robert Pattinson at Jimmy Kimmel Live!

Here’s a few HQ pictures of Robert Pattinson arriving at Jimmy Kimmel Live! All these pictures are available in the RPUK Gallery.

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VIDEO: *NEW* Robert Pattinson & David Cronenberg interview with ScreenSlam

Click the picture to watch the video.

DAVID CRONENBERG & ROBERT PATTINSON COSMOPOLIS INTERVIEW - Robert Pattinson stars in director David Cronenberg‘s adaptation of the 2003 Don DeLillonovel, Cosmopolis. The story of Eric Packer (Pattinson), a 28 year-old finance golden boy dreaming of living in a civilization ahead of this one. Riding across Manhattan in a stretch limo in order to get a haircut, his day devolves into an odyssey with a cast of characters that start to tear his world apart. Screenslam sat down with the director and star who spoke about the atmosphere on set, Robert as Eric Packer and why Robert took the role.

On the atmosphere on set:

“I’ve never really worked on something where a director has ultimate control, it looked like very little people were questioning decisions, where as my experience on every film set I’ve ever had is just an unending series of everyone questioning the director, everyone questioning everything about everything and with this there was a very confidant atmosphere on set.” - Robert Pattinson

On Robert as Eric Packer:

“I could tell that he (Pattinson) knew it was good and that he wanted to do it, but he was afraid of it afraid of it in the way actors are often afraid really, which is they don’t want to the one to screw it up because of they weren’t good enough or they’ll be on set and they’ll realize that they don’t understand it and cant deliver it the way they want, but in Rob’s case he was the one.” - David Cronenberg

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David Cronenberg talks Cosmopolis, casting Robert Pattinson and more with About.com

In casting Robert Pattinson, it’s kind of a double-edge sword, isn’t it? You have hisTwilight fans anxious to support him in whatever he chooses to do and then you have the people who dismiss him because he is ‘that guy from Twilight‘.

“Yeah. In a weird way, on the one hand of course I’m completely aware of all of those elements and also of course when you’re making a movie that for an independent movie was relatively expensive, you have to have a leading character who is very charismatic and who can carry the weight and has the star quality and so on, because you’re going to be looking at him. He’s literally in every scene in the movie, and that’s pretty unusual. I mean even in Tom Cruise movies, Tom is not in absolutely every scene of the movie – but Rob is. So he has to have that. But at the same time, you want to forget the movies, you know? You want to forget his movies and my movies because we’re creating this completely new thing and you don’t know what audience you’re going to get. You can anticipate it, you can think about it, but really you don’t know. So ultimately when you’re making the movie you’re saying, ‘Okay, I’m here with these actors. They’re wonderful actors, I cast them because they’re terrific and they will bring great stuff to the script,’ and then at that point you’re just making a movie and you’re not thinking about any other movie.”

Needing an actor to carry the film by being in every scene, how did you figure out Robert Pattinson was the right guy to play Eric?

[Laughing] “Well, this is the magic of casting! I think as a director, it’s part of your job. It’s a really important part of your job. I think a lot of people don’t even realize that the director’s involved in casting. Some people say, ‘Did you choose your actors?,’ and I say, ‘Yes. You’re not a director if you don’t.’”

“Of course, you’re juggling many things, like I say. You’re juggling, for example, their passports. This is a Canada / France co-production and we were limited to one American actor. Most people of course don’t know that – nor should they. Paul Giamatti is the only American in this movie even though it takes place in New York City. So from that kind of aspect to just finding the right guy…of course he’s got to be the right age, there are a lot of things that are just basic. And then after that, though, there are no rules. You as a director just have to intuit that this actor will be able to carry off this role.”

“We often talk about chemistry, for example, in movies between actors, let’s say. When I was doing A Dangerous Method, Keira Knightley and Michael Fassbender - how do I know they have chemistry together because I had never seen them in a movie together? They’ve never been in one; they’ve never met each other. I don’t see them together until I’m actually directing them, so I have to be this kind of dating master who can anticipate that this couple will be good together. It’s a strange kind of thing. So you give yourself credit when it works, and you have to berate yourself when somehow it hasn’t worked. That’s basically where you’re left.”

It strikes me with Cosmopolis that the chemistry actually needed to come between you and Robert more so than between Rob and any of his co-stars.

“There’s truth in that too. That is the unspoken thing is the chemistry between the director and the actors is the key. And at a certain point I think Rob would…you know, he’s a serious actor and he didn’t want to be the one who was going to blow this movie. He was kind of thinking, ‘Well, I’ll be alone in that limo because I won’t have one person who is always playing opposite me. It’s really a one-man show with a lot of day players coming in.’ And I said, ‘No, you won’t be alone because I’ll be there. I’ll be with you every moment.’ And so that is a real element.”

Do you think that you view the character of Eric the same way that author DeLillo did? Or do you think that you two don’t necessarily agree on how an audience should look at him?

“I think we actually illuminate things for each other. I’ve been on the road doing publicity with Don in several countries and I think he was pretty intrigued by seeing what would happen. Because, after all, once you put Rob Pattinson in that role, that’s a very specific thing. You’ve got a particular face and a particular voice and a body, and that’s something that the novel can not have. That’s one of the things that movies can do that novels can not do, and so it immediately shapes the character in a way that he wasn’t shaped in the novel. So, there are differences, I think, but it’s not a major split or divergence. It’s just really shading and shaping things. It’s just really hearing the dialogue spoken, which was something that when I read the novel, I thought, ‘Yeah, I really want to hear this spoken by really great actors.’ Just doing that immediately changes your reaction to the characters and to the words. So there is a difference, definitely.”

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Robert Pattinson Talks The Rover with The Playlist

To say that Robert Pattinson has been filling his post-“Twilight” calendar with ambitious films would be an understatement. This weekend brings his trippy David Cronenberg odyssey “Cosmopolis,” and over the past few weeks and months, the actor has signed on to a handful of interesting films, including ”Mission: Blacklist” about the hunt for Saddam Hussein, Werner Herzog’s historical tale “Queen of the Desert” and “Animal Kingdom” director David Michôd’s “The Rover.” And it’s the latter about which the actor has shared some tantalizing details.

Catching up with Pattinson as he did press rounds for “Cosmopolis,” he filled us in on what we might expect from Michôd’s follow-up to his crime drama “Animal Kingdom.” Set to shoot next year, “The Rover” boasts some pretty big ideas behind its deceptively simple set up. “It’s a kind of a western,” Pattinson explained. “It’s very existential. It’s really interesting. I couldn’t really explain to you what it’s about but it’s sort of about how much pain can the world take and how much disgust and cruelty before love dies. I think that’s kind of what it’s about.” (Cronenberg, who was in the room, chimed in with: ” That sounds pretty heavy!”)

Pattinson will co-star in the film with Guy Pearce, with the near-future-set story centering on a man who journeys across the Australian outback to find his stolen car, which contains something invaluable to him. However, Pattinson admits that perhaps his description might be a little more highfalutin than the actual movie. “David Michôd’s going to read this and be like ‘What the fuck are you talking about? It’s a crime movie,’ ” he said with a laugh.

As for when “The Rover” is coming out, Pattinson admitted it is later than he originally wanted. “I wish it was shooting this fall,” he said. “I was supposed to be doing this movie this fall but that was pushed to after ‘The Rover,’ which is a good thing because it needs a ton of work. But I really wish I could move ‘The Rover’ up. I’ve got to find something else to do.”

"Cosmopolis" is in theaters now.

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Robert Pattinson and David Cronenberg Interview with The New York Times

NEW YORK — Jon Stewart tried to bait him with Ben & Jerry’s Karamel Sutra. “Good Morning America” host George Stephanopoulos offered him Cinnamon Toast Crunch. But maybe French fries would have been a better ploy to get Robert Pattinson to spill some juicy personal details about his breakup with costar Kristen Stewart.

"Media culture is a monstrous thing," Pattinson lamented Wednesday afternoon, jamming fries into his mouth between puffs on his electronic cigarette. "You can’t win. The annoying thing is that you can’t attack them, but you can’t defend yourself. The best thing you could possibly do is punch a paparazzi and give them their big payday."

The 26-year-old actor has run a gantlet of publicity this week that was nominally about promoting his new film, “Cosmopolis,” which opens Friday.

Sitting alongside Pattinson for moral support at the Mandarin Oriental hotel on Columbus Circle was “Cosmopolis” director David Cronenberg. The Canadian filmmaker, whose challenging art house films almost never garner such wide attention, was there as a sort of buffer but also appeared to be quietly amused by the media circus.The actor’s manager would not allow Pattinson to sit alone for an interview with The Times, and even suggested that reporters not ask him about his personal life, or “Twilight.”

But “Twilight,” of course, is how Pattinson has become perhaps the most widely recognized young actor of his generation. In the movie franchise, based on Stephenie Meyer’s bestselling young adult novels, he plays a brooding vampire who falls in love with a human girl (Stewart). The film series has grossed over $2.5 billion worldwide since launching in 2008 and will conclude in November with a fifth installment, “Breaking Dawn — Part 2.” Pattinson’s off-screen romance with Stewart only stoked the popularity of the vampire movies.

When the Stewart-Sanders affair burst onto the cover of Us Weekly in July, it initially seemed like there was little upside for Pattinson. But Stewart’s public apology generated not only sympathy for the man wronged but also a fresh wave of interest for “Cosmopolis,” which had premiered to mixed response at the Cannes Film Festival in May.

That could help Pattinson as he strives to craft a post-“Twilight” career. While both of his “Twilight” costars, Stewart and Taylor Lautner, have each taken center stage in studio pictures, Pattinson has mostly stayed in the indie world. His biggest non-“Twilight” film to date was last year’s “Water for Elephants,” a modestly budgeted period romance with Reese Witherspoon that took in a respectable $117 million worldwide. Pattinson’s less-commercial projects, however, have tanked at the box office — the Sept. 11 drama “Remember Me” only collected $8 million domestically in 2010, and the 19th century-set drama “Bel Ami” flopped in June, never expanding beyond 15 theaters.

In “Cosmopolis,” Pattinson plays a young billionaire on the verge of financial ruin who self-destructs over the course of one day, and he has earned some of the best reviews of his career for his performance as the detached whiz-kid.

Cronenberg, who adapted “Cosmopolis” from Don DeLillo’s book of the same name, said he felt Pattinson was right for the part largely because of his good-looking face, which appears in nearly every frame of the movie. Before casting him, the director watched all of the films the London native has appeared in, and viewed a number of interviews with Pattinson on YouTube to get a better sense of his personality.

"The strength of the ‘Twilight’ movies is not the acting," acknowledged Cronenberg. "But it’s not understood that doing ‘Twilight’ requires presence and professionalism. Are you saying this is an Academy Award performance, or Alec Guinness? That’s a whole other discussion. But you throw somebody on a grueling set like that — a normal person would be dead in an hour."

Warming to his own defense, Pattinson interjected: “With this movie people keep saying, ‘Is this gonna be the movie where he can prove he can act?’ It’s like, ‘What do you think I have been doing?’”

"By the way," Cronenberg added, "he’s a British guy doing an American accent. People don’t realize that there are a lot of very good actors who cannot do accents, and they don’t give Rob credit for that."

"Oh, give me anything!" Pattinson said with a laugh and taking a drag on his cigarette, which glowed an electronic red with each inhale.

Still, it’s clear Pattinson sometimes questions his acting ability. Before production began on “Cosmopolis,” he said he was so unsure of his ability to pull off the role that he sat “trembling, absolutely terrified” during the first screen test.

The nerves are somewhat surprising, considering Pattinson’s part in “Cosmopolis” doesn’t seem all that distant from his own life. Like his character in the film — who remains isolated in a limousine for hours as he slowly traverses Manhattan to get a haircut — Pattinson said that since “Twilight” opened, he has “had four years of gradually being put more and more into smaller and smaller boxes, and you have a desire to break out.” He’s also a part of the 1% — according to Forbes, he earned $12.5 million for the last two “Twilight” pictures — a number he says is “completely not true.”

"Weirdly, I went to the bar the other day and there were a bunch of people protesting some 1% thing," he recalled. "I drive this kind of [junky]-looking truck sometimes because I started surfing — it’s this 2001 Silverado I bought off of Craigslist for, like, $2,000 or something. So I was hiding in the back of the truck when I saw the protest thinking, ‘I don’t want to get involved in this.’"

The demonstrators, Pattinson said, didn’t recognize him and a friend. “When the protesters saw us, they were like, ‘We’re not even shouting at you. You’re driving this piece of …. You’re not part of the 1%.’”

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